Saturday, 25 April 2009
Reduce your stress - get a dog
Saturday, 18 April 2009
Russian strays
Sunday, 12 April 2009
Dogs in films
While I do enjoy seeing dogs in films, I worry about the effect their portrayal has on the majority of those who watch them, especially given that such films are usually aimed at children.
Firstly, there's the well-documented issue of whatever breed happens to be featured in a film suddenly becoming popular among prospective pet owners. The most obvious example of this is the dalmatian after the movie 101 Dalmatians. Sales shot up, with people choosing animals based on their looks or on the unrealistic image of the breed presented in the movie. Pets should be chosen based on both the breed's and the individual dog's characteristics and the family's ability to care for it properly; not on the dog's "cute" appearance. The idea of "fashionable" dog breeds only shows the extent of popular misconception about a pet's purpose. They should not be seen as accessories chosen for their looks.
Related to that is the fact that dogs' behaviour on screen seldom reflects reality. Returning to the example of 101 Dalmatians, movie goers saw cute spotty pups who could sit quietly waiting for their owner, walk perfectly by someone's side, and do clever tricks such as opening doors, and assumed that such behaviour was typical of dalmatians. However, canine actors of any breed are extremely well-trained and not typical at all of your average pet. Such a level of training takes many months or years of constant hard work, with much error and setback along the way. How many normal families have the time or knowledge to train their dog in this way? Very few indeed. "Good" dogs in films are invariably shown snuggling up to the children and sleeping peacefully by the fire, not gnawing through chair legs and pissing on rugs. Bad behavior by dogs is seldom seem outside of comedies about badly behaved dogs, and then it's seen as endearing. No one ever takes their dog to the shelter for bad behaviour in the movies.
Finally, the responsibilities of dog owners are almost never shown in their true light in films. Parents buy puppies for their kids and then are never seen training the puppy or spending time with it. In Flashdance for example, the main character worked full time as a welder during the day, danced in a club in the evenings, and went to auditions at weekends (I know, I know). She lived in a converted warehouse in the centre of the city. Yet she had an enormous mastiff. When and where did she walk it? In several scenes, she comes home and proceeds to work out/shag her boss. She doesn't take the dog out first even though it's presumably been at home all day alone. Even Turner and Hooch, a film ostensibly about a dog, is similar in this respect. Tom Hanks takes his huge dog to work with him, but you never see it doing a huge poo in the middle of the office or the car, and he never has to slack off work to take it for a walk.
All in all, the unrealistic portrayal of what it takes to care for a dog sets a very poor example. Do you know of any films with a better portrayal of dogs?
Monday, 6 April 2009
Blind man's buff
This beautiful curly old pooch was spotted in a pub in London last Christmas. She was old and partially blind, but gave both her owner and everyone else in the pub such joy. My boyfriend took this photo, got chatting to the dog's owner, and took her email address to send her the picture. Two strangers, united in pleasure because of an old, half-blind dog. Result. Beautiful, isn't she?
Sunday, 29 March 2009
Tuesday, 24 March 2009
Shiba Inu
Thursday, 19 March 2009
ARK: Animal Rescue Kansai
Sunday, 8 March 2009
Old man
In the foreground is my old dog, whom I loved dearly. He was 12 when I got him from the dog home. He was a quiet little soul who barked twice in the two years I had him. His teeth were rotten, his nose was scabby, he had a chunk missing from his ear and he limped, but he was a heartbreaker all the same. He liked to sit on my feet with his back to me. I'd scritch his neck from this position and he'd look away, pretending it was someone else.
